Breathing has become synonymous with collective rage against police brutality, raci*, catastrophic climate change, the breakdown of systems of care, state backed violence, right wing extremi*, and constitutional crises. This altered breath of the world has not only manifested itself in the medicalization of everyday life and a state of viral hypoxia experienced by millions across the world, but also in the beauty of those who continue to resist the onslaught on hard fought expanses everywhere.For the act of filming, breath poses a unique challenge. How does one produce an image of something that is present but invisible? The unrepresentability of breath swells further as it we*es across the biological, cultural, and political body—simultaneously material and ethereal. Braiding together multiple, thickly interlinked scenarios, the exhibition by filmmaker Pall*i Paul evokes the entanglement of breath with the world of its *. Presented as a constellation of argumentative eruptions, the show activates a conversation between the extensive archive of Paul’s previous works with new works and notes. The voices of pyre burners, gr*e keepers, medical caregivers, sewage workers, and political protestors ally together to form the sensorium, creating a breathing-like rhythm in the space it inhabits and inhaling and exhaling images, sounds, materials, and objects.