一直作為米路斯．科曼劇本鐵三角（另一位是帕培錫，也是本片編劇之一）成員的艾雲．巴薩，當然也走低度戲劇路線。同是音樂家的彼德與卡洛老友重逢，生活狀況大不同，你有伴侶我有家庭，然而都有說不出的不明朗，唯有以酒與音樂代替口水。全片推展不問目的，只在剎那間的意圖，行行企企比起科曼更義無反顧，卻有生活淡如流水的詩意和繆思，叫觀眾聯想到二十年後的伊力．盧馬。巴薩鍾愛音樂的程度不下於文字和電影，古典音樂與民間音樂於全片迴轉迴盪，難怪成了奇斯洛夫斯基十大心愛電影之一。康城影展青年評審團獎，美國全國影評人協會特別獎這部1966年的珍品，是捷克新浪潮短暫生命中最佳作品之一。成名音樂家到小鎮探訪舊同學，舊同學是個窮音樂*，有時在喪禮上吹奏樂曲。平凡的素材在巴素手裡，變出風趣復罕見的旋律，一部憂鬱的喜劇，或灰色喜劇。- D*e Kehr, Chicago ReaderIvan Passer*s (Cutter*s Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman*s early work can be seen here. Years of separation h*e bred apprehension between the two men, and Karel*s simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film*s ** beauty is in the details of the men*s reacquainting themselves with each other, discovering each other*s regrets and unfulfilled desires. Alive with pathos, humour and insight.Special Award, National Society of Film Critics AwardsIts ** city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a **all-town concert. Enlivened by Passer*s flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.- Elliott Stein, Village VoiceSource: HKIFF Czech New W*e 2006